An Analysis and an Inspection for the Representation of Music in Modern Japanese Literature based on the Collaboration of Literary Theory and Music Theory
| Project/Area Number |
23520219
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Japanese literature
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| Research Institution | Toyo University (2012-2013)
Shinshu University (2011) |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
ONO Takashi 信州大学, 教育学部, 准教授 (10362089)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2013: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2012: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2011: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
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| Keywords | 日本近現代文学 / 文学理論 / 音楽理論 / 虚構理論 / 物語行為 / 日本近代文学 |
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| Research Abstract |
We tried to make a new method of analyzing literature and music by uniting both theories, especially focusing on their fictional elements. We examined a theory of fiction in literary studies, and the fictional element of works and reviews of music, the function of the paratext in listening to music. In conclusion we analyzed representations of music in some literary works from the perspective of the relation of music, language and physical nature, of the relation of a proper noun with music and the reality.
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Report
(4 results)
Research Products
(11 results)
