The Interrelationship between Literature and the Fine Arts during the Heian Period Investigated from the Source Literature and Extant Fine Art Works Approximating Reference Literature

Research Project

Project/Area Number	23520263
Research Category	Grant-in-Aid for Scientific Research (C)
Allocation Type	Multi-year Fund
Section	一般
Research Field	Japanese literature
Research Institution	Shitennoji University
Principal Investigator	TAJIMA Tomoko 四天王寺大学, 人文社会学部, 教授 (80268474)
Project Period (FY)	2011-04-28 – 2017-03-31
Project Status	Completed (Fiscal Year 2016)
Budget Amount *help	¥5,070,000 (Direct Cost: ¥3,900,000、Indirect Cost: ¥1,170,000) Fiscal Year 2015: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000) Fiscal Year 2014: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000) Fiscal Year 2013: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000) Fiscal Year 2012: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000) Fiscal Year 2011: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Keywords	歴史資料の絵画関連記述 / 文学資料の絵画関連記述 / 平安期の屏風絵 / 歴史資料の美術関連記述 / 文学に関わる画像 / 州浜 / 文学作品の美術関連記述 / 年中行事の絵画化 / 物語の美術関連記述 / 歴史物語の美術関連記述 / 日記の美術関連記述 / 随筆の美術関連記述 / 説話の美術関連記述 / 軍記物語の美術関連記述 / 漢詩文の美術関連記述 / 漢文日記の美術関連記述
Outline of Final Research Achievements	This research project examines the available source literature and pictorial resources. For literature, primarily, the expanse of historical materials and literary works of the Heian and Kamakura periods has been covered, with extracted and classified references to pictorial works. For pictorial sources, pictures closely resembling the descriptions given in written sources such as by byobu-uta have been extracted and classified, and the coverage mostly consists of extant picture scrolls, pictures on folding screens, and pictures on sliding doors. In particular, an extensive survey of the pictorial sources resulted in the discovery of literary works quite closely resembling pictures from the Heian period on folding screens in terms of their structure. With this material as reference, this project rethinks the relationship between pictures and poetry, establishing that typical scenes,for example, in ajiro,were produced as an interaction between pictures and poetry.