The Study of the Correlation between Acting and the Audience's Emotional and Physical Responses in Renaissance Drama
| Project/Area Number |
23520301
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Literature in English
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| Research Institution | Osaka University |
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Principal Investigator |
NAKAMURA MIKI 大阪大学, 言語文化研究科(研究院), 准教授 (00324872)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | ルネサンス演劇 / 演技 / 観客反応 / 身体 / 情緒 |
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| Research Abstract |
This study investigated the correlation between acting and the audience's emotional and physical responses in Renaissance drama. It analysed dramatic works and theatrical documents in England in the late sixteenth and early seventeenth centuries. Focusing on personation, a then emergent acting style, my research examined the acting of Edward Alleyn and that of Richard Burbage. Furthermore, it considered the audience responses that would have been elicited by each actor's performance and illuminated the relation between personation and the audience's emotional/physical changes.
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Report
(4 results)
Research Products
(8 results)
