Project/Area Number |
23652068
|
Research Category |
Grant-in-Aid for Challenging Exploratory Research
|
Allocation Type | Multi-year Fund |
Research Field |
European literature (English literature excluded)
|
Research Institution | Saitama University |
Principal Investigator |
ITO Hiroaki 埼玉大学, 教養学部, 教授 (70184679)
|
Project Period (FY) |
2011 – 2013
|
Project Status |
Completed (Fiscal Year 2013)
|
Budget Amount *help |
¥2,210,000 (Direct Cost: ¥1,700,000、Indirect Cost: ¥510,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
|
Keywords | イソップ寓話集 / イソポのハブラス / 伊曽保物語 / シュタインヘーヴェル / イエズス会 / 司馬江漢 / ファン・ファンデル / エンブレム・ブック / イソップ物語 / シュタインヘーベル / 訓蒙画解集 / イソップ寓話 |
Research Abstract |
In the culture of European Renaissance, Aesop's Fables were largely accepted in the culture of European Renaissance, mainly through Schteinhavel's edition (1447) and its following many editions. And they played an important role in the educational system of the Jesuits. They were introduced into Japan in the end of 16th century and urged to publish "Isopo no fabulas" and "Isopomonogatari" in Japanese. Their sources were not only the Spanish versions of Schteinhavel's Aesop, but also Doropius'Aesop and other moral stories. In the Edo period, Shiba Kokan, a western-typed painter, worked under the influence of the Dutch Aesop's Fables of Joost van Vondel in the form of emblem book.
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