The Role of Muromachi Ink Painting in Mid-Edo Period Japan: Focusing on Ike Taiga
| Project/Area Number |
23720048
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Osaka University |
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Principal Investigator |
HAMASUMI Mayu 大阪大学, 大学院・文学研究科, 助教 (90348897)
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| Project Period (FY) |
2011 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
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| Keywords | 池大雅 / 室町水墨画 / 文人画 |
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| Research Abstract |
The influence of Chinese Ming and Qing dynasties paintings on Edo period literati painters has been discussed in various contexts, and while at first glance seemingly rejected by Japanese literati painters, in fact Muromachi ink painting served as a model in their own painting. Focusing on the works of the 18th century Kyoto literati painter Ike Taiga (1723-1776) and including in its purview the various kanga(Chinese-style) lineages of the day such as the Unkoku School, this study presents a multifaceted consideration of Chinese influence on the history of Japanese pre -modern painting.
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Report
(3 results)
Research Products
(3 results)
