| Project/Area Number |
23720049
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Wakayama University |
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Principal Investigator |
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
Fiscal Year 2013: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2012: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | トンマーゾ・ラウレーティ / ジャンボローニャ / 対抗宗教改革 / マニエリスム / ガブリエーレ・パレオッティ / ボローニャ / ローマ / 噴水 / アカデミー / イタリア / 美術史 / 美学 |
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| Research Abstract |
This study considers the artistic career of Tommaso Laureti (c.1530 Palermo-1602 Rome), painter, architect, and waterworks engineer. It presents some novel perspectives especially on his two representative projects, the Fountain of Neptune in Bologna (1563-1567) and frescos in the Sala dei Capitani of the Roman Palazzo dei Conservatori (1587-1594). The results of the research clearly indicate that Laureti played a major role in influencing changes in the aesthetic tastes of the time, namely, the change from Giambologna to Caravaggio.
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