| Project/Area Number |
23720082
|
|---|
| Research Category |
Grant-in-Aid for Young Scientists (B)
|
| Allocation Type | Multi-year Fund |
|---|
| Research Field |
Study of the arts/History of the arts/Arts in general
|
|---|
| Research Institution | Musashino Academia Musicae |
|---|
Principal Investigator |
|
|---|
| Project Period (FY) |
2011-04-28 – 2015-03-31
|
| Project Status |
Completed (Fiscal Year 2014)
|
| Budget Amount *help |
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2012: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2011: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
|
|---|
| Keywords | ピアノ / 邦人作曲家 / 演奏解釈 / 音楽指導法 / 演奏法 / 武満徹 / 間宮芳生 / 三善晃 / 松平頼則 / 一柳慧 |
|---|
| Outline of Final Research Achievements |
Piano pieces composed by Japanese composers are fewly performed at concerts in Japan. In these piano pieces mostly contain avant-garde composition techniques including atonal, which is usually thought "difficulty" of technical skills and interpretations for most pianists.
As the conclusion of this research, to spread the knowledge about Japanese traditional folk songs and children's songs helps pianists to understand and make an interpretations of Japanese contemporary piano music. Also, kinds of technical practice just the same like Liszt, Dohnanyi and Cortot, should be extended upto Japanese traditional musical modes, 'ritsuryo', MTL by Messiaen and intarvals of 7th and 9th.
|
