| Project/Area Number |
23720084
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Meiji University |
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Principal Investigator |
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥3,250,000 (Direct Cost: ¥2,500,000、Indirect Cost: ¥750,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2012: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2011: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
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| Keywords | 日本近代演劇 / オペラ／音楽劇 / 浅草オペラ / 大衆文化 / オペラ／歌劇 / 音楽劇 / 西洋音楽受容 / 日本近現代演劇 / 演劇学 / オペラ / ミュージカル・レヴュー / 西洋文化受容 / 芸術諸学 / 近代日本演劇 / 音楽学 / 浅草 |
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| Research Abstract |
The purpose of this research is to clarify the characteristic of Asakusa opera and the opera actor. Therefore I analyzed them from four points; times, theatre environment, work, and person. I summarized the results of research in six treatises, two books, and two presentations.
Each main result of research is as follows. Times; I considered the problem of the actor in the Japanese opera exercise for the Taisho Era, comparing "the actress" of the Asakusa opera with "the student" of the Takarazuka opera. Theatre environment; I verified the special performance institution Kanbutsu-jyo from both sides of the construction and the theatre law. Work; I analyzed a censorship libretto Charles Gounod's "Faust", translation and dramatization by Midori Wakamatsu, and clarified the details of the early stage performances of grand opera in Japan. Person; I investigated a famous performer Morino Sawa who was known as a opera singer, dancer, and actress with the ability.
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