A Study of Eighteenth-Century French Theatre through Marivaux's Dramaturgy
| Project/Area Number |
23720090
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Waseda University |
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Principal Investigator |
OKU Kaori 早稲田大学, 演劇博物館, 招聘研究員 (30580427)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥2,210,000 (Direct Cost: ¥1,700,000、Indirect Cost: ¥510,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | 芸術学 / 文化史 / 18世紀フランス / 演劇 / マリヴォー / フランス演劇 / 18世紀 / 作劇法 / 演劇史 |
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| Research Abstract |
This study focuses on the first period of eighteenth-century French theatre through a close analysis of Marivaux's dramaturgical innovations. After an examination of early-modern France's social and cultural context, I analyze Marivaux's plays as well as scenic practices (acting and performance techniques and considerations) during this period. More specifically, I examine Marivaux's dramaturgy in light of the dynamic relationship between staging practices and dramatic literary invention. Furthermore, by analyzing other dramatic authors of the period, my goal is to illuminate the unique scope and aims of Marivaudian dramatic practice. This study ultimately shows the emergence of a dramaturgy of "discovery", which characterizes Marivaux's theatre and its theatricality; this interpretation of his art reveals how Marivaudian theatre established a powerful relationship between the play and the audience at this important moment of French theatrical history.
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Report
(4 results)
Research Products
(23 results)
