| Project/Area Number |
23820020
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| Research Category |
Grant-in-Aid for Research Activity Start-up
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| Allocation Type | Single-year Grants |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
NARUTA Reina 東京芸術大学, 音楽学部, 助手 (30610282)
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| Project Period (FY) |
2011 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2012: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | 前衛 / フランス音楽 / 音楽批評 / 1920 年代 / 調性 / 1920年代 / 前衛音楽 |
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| Research Abstract |
This project investigates musical criticism between 1910-1929 in order to clarify how musial periodicals described “avant-garde music” and what they evaluated in the context of the “Evolution of French Music” at that time.At that time, critics desired to demonstrate the supremacy of France in the history of western music. To achieve that goal, they attracted attention to “avant-garde music”, sought the innovation of langage musical in Paris, and intended to authorize the evolution of French music.
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