Research of editing Bangai Utaibon text in the late Muromachi period
| Project/Area Number |
24320053
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Partial Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Japanese literature
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| Research Institution | Waseda University |
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Principal Investigator |
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| Project Period (FY) |
2012-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥14,820,000 (Direct Cost: ¥11,400,000、Indirect Cost: ¥3,420,000)
Fiscal Year 2015: ¥3,380,000 (Direct Cost: ¥2,600,000、Indirect Cost: ¥780,000)
Fiscal Year 2014: ¥3,900,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥900,000)
Fiscal Year 2013: ¥3,900,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥900,000)
Fiscal Year 2012: ¥3,640,000 (Direct Cost: ¥2,800,000、Indirect Cost: ¥840,000)
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| Keywords | 謡本 / 謡曲 / 番外曲 / 廃曲 / 能楽 / 能本 / 本文校訂 / 世阿弥 / 現行曲 / 非所演曲 / 番外謡曲 / 古典籍本文校訂 / 猿楽 / 謡曲大成 |
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| Outline of Final Research Achievements |
The purpose of this research is to establish the methodology of editing Youkyoku by producing the exemplar through editing all the 245 “Bangai Utaibon.” The first 178 songs, from a-gyo through na-gyo, are completed and the balance 67 songs will follow.
As some linguistic rules were found through the course of action, the stemmatics of each Noh songs turned out to be rather obvious, respectively. The theory itself is based upon the surmise after comparing Zeami’s autograph manuscripts and the extant manuscripts of Utaibon came out later. Interestingly, the same rule would also apply, to some extent, to those songs that Zeami’s autograph had already been lost.
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Report
(5 results)
Research Products
(31 results)
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[Journal Article] 能・観客・パトロン2012
Author(s)
竹本幹夫
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Journal Title
Enacting Culture Japanese Theatre in Historical and Modern Contexts
Volume: DIJ51
Pages: 123-134
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[Presentation] 宮本圭造氏の研究報告に寄せて2014
Author(s)
竹本幹夫
Organizer
国際研究集会「見つめる能面・能面を見つめる」
Place of Presentation
神戸女子大学ポートアイランドキャンパス
Year and Date
2014-11-29 – 2014-11-30
Related Report
Invited
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