Study for the position of the Art in the ontology of Merleau-Ponty

Research Project

Project/Area Number	24520027
Research Category	Grant-in-Aid for Scientific Research (C)
Allocation Type	Multi-year Fund
Section	一般
Research Field	Philosophy/Ethics
Research Institution	Tokyo Denki University
Principal Investigator	HITOSHI HONGO 東京電機大学, 工学部, 教授 (00229246)
Project Period (FY)	2012-04-01 – 2015-03-31
Project Status	Completed (Fiscal Year 2014)
Budget Amount *help	¥2,860,000 (Direct Cost: ¥2,200,000、Indirect Cost: ¥660,000) Fiscal Year 2014: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000) Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000) Fiscal Year 2012: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Keywords	メルロ＝ポンティ / セザンヌ / パウル・クレー / 芸術 / 音楽 / 存在論 / 中間領域 / 見えないもの / アンリ / クレー / フランス哲学 / 現象学 / 芸術論 / 「肉」の存在論 / 絵画
Outline of Final Research Achievements	This research deals with french phenomenologist Merleau-Ponty's posthumous manuscripts of the important text:"Eye and mind". It makes clear the ontological problems of Merleau-Ponty and the reason why he had argued on the Art. And the investigation on the texts of Paul Klee makes evident that Merleau-Ponty is influenced by Klee's thought on the mission of the artist. At last his reserach come to the front of the new problem, that is what is the relation between the music and ontologie.

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