| Project/Area Number |
24520161
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Kyushu University |
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Principal Investigator |
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| Co-Investigator(Renkei-kenkyūsha) |
YAKO Masato 九州大学, 大学院芸術工学研究院, 教授 (60239738)
NISHIDA Hiroko 九州大学, 大学院芸術工学研究院, 助教 (30545108)
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| Project Period (FY) |
2012-04-01 – 2015-03-31
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| Project Status |
Completed (Fiscal Year 2014)
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| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2014: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2013: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2012: ¥2,080,000 (Direct Cost: ¥1,600,000、Indirect Cost: ¥480,000)
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| Keywords | 現代音楽 / 電子音楽 / 音楽分析 / 音楽学 / デジタルアーカイブ / 作曲 / デジタル・アーカイブ / ディジタル・アーカイブ |
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| Outline of Final Research Achievements |
A Composer Shiro Kon worked creatively in Fukuoka from the 1940s until his death in 1977. He began dealing with electronic music early on, composing and contributing avant-garde music from this medium. Despite this, he is not at all famous in places outside Fukuoka’s boundaries. Even in Fukuoka, he became a forgotten composer after his death. I was fortunate to obtain his scores and recorded music by chance, giving me the first opportunity to experience his composition, and I was stunned by the sophistication of his work. I would like to share the brilliance of his works with others. I introduced the trajectory of his compositional activities and analyzed his major works. Shiro Kon is the composer who embodied the history of the "vanguard music".
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