| Project/Area Number |
24520198
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Kobe Pharmaceutical University |
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Principal Investigator |
AKAI Tomoko 神戸薬科大学, 薬学部, 准教授 (70309433)
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| Project Period (FY) |
2012-04-01 – 2015-03-31
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| Project Status |
Completed (Fiscal Year 2014)
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| Budget Amount *help |
¥2,730,000 (Direct Cost: ¥2,100,000、Indirect Cost: ¥630,000)
Fiscal Year 2014: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2012: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | 英国演劇 / 劇場 / ヴァラエティ / レヴュー / 劇場法 / イギリス演劇 / ヴァラエティ劇場 |
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| Outline of Final Research Achievements |
The aim of my study is to examine the relationship between music hall and theatre in 1900s to 1930s London by focusing on the great diversity of performances at variety theatres in London. Scholars have traditionally separated the music hall, where popular entertainments were performed, from the theatre, where legitimate plays were staged. However, we can find some boundary areas where high art and popular entertainment coexisted. My study has concluded that this hybridity was one element that opened up new possibilities for the development of performing arts.
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