A Cultural Study of Songs in Early Modern English Plays
| Project/Area Number |
24520264
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Literature in English
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| Research Institution | Iwate University |
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Principal Investigator |
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| Project Period (FY) |
2012-04-01 – 2015-03-31
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| Project Status |
Completed (Fiscal Year 2014)
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| Budget Amount *help |
¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
Fiscal Year 2014: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2013: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2012: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | 演劇 / シェイクスピア / 英国演劇 / 挿入歌 / 台詞のエコー / 模倣と反復 / 近代英国演劇 |
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| Outline of Final Research Achievements |
Major findings of this study are as follows: 1. Due to yet unstable system of musical notation those days, dramas introducing numbers of songs have their difficulties to be circulated into “reading” public, which might have guaranteed the superiority of stage over page at least for limited time of early modern era. 2. Songs, because of their requirement of performers’ observing rhyme and melodies, might effectively put under control otherwise possibly excessive comical improvisation by actors with clown parts. 3. While as a part of dramas, inserted songs, with their current circulation per se, sometimes take the audience outside the plot of the plays. As a result, various forms of ironies, multiple meanings, parodies and satire would reasonably be imposed, which should give plays a kind of richness.
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Report
(4 results)
Research Products
(3 results)
