| Project/Area Number |
24617025
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
文化学
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| Research Institution | Matsuyama University |
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Principal Investigator |
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| Project Period (FY) |
2012-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥4,420,000 (Direct Cost: ¥3,400,000、Indirect Cost: ¥1,020,000)
Fiscal Year 2014: ¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2012: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
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| Keywords | クレズマー / 東欧ユダヤ人(アシュケナージ) / セファルディー / レベーティコ / オスマン帝国 / ギリシア音楽 / アメリカ音楽 / 移民 / ユダヤ人 / アシュケナージ / ギリシア / アルメニア / 国際研究者交流 / アメリカ / レベーティカ / 同化 / イディッシュ劇 |
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| Outline of Final Research Achievements |
Urban Greek music "Rembetiko" has Ottoman and Southern Slavic elements. Though some documents suggest the possibility of musical interactions among Greeks, Muslims and Jews in Thessaloniki, Sephardic Rembetiko singers, such as Roza Eskenazi, did not record songs in Ladino.
After immigration into the United States, Greeks shared a common, though not large, repertoire of tunes with Ashkenazim. This is not because they collaborated on their own will beyond ethnic borders, but rather because record companies developed multinational marketing, and both sides exchanged musicians for concerts and recordings when needed.
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