| Project/Area Number |
24652033
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| Research Category |
Grant-in-Aid for Challenging Exploratory Research
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| Allocation Type | Multi-year Fund |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Hiroshima University |
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Principal Investigator |
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| Project Period (FY) |
2012-04-01 – 2015-03-31
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| Project Status |
Completed (Fiscal Year 2014)
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| Budget Amount *help |
¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
Fiscal Year 2014: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2013: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2012: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | ジェイムズ・バリー / 18世紀 / アイルランド / 崇高 / エドマンド・バーク / 芸術・美術・絵画 / ロイヤル・アカデミー / イギリス / 国際情報交換 / 絵画 / 崇高美学 / カトリック / ダブリン / コーク / 国際研究者交流 / ケルト / 美学・美術史 |
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| Outline of Final Research Achievements |
Through this 3-year-granted research his life and works of James Barry(1741-1806), a 'forgotten' Irish Catholic royal academician in the 18th century, has been partially exposed especially to the Japanese academic world. Firstly the research focused uopn the close relationship of the painter with the aesthetician and pollitical philosoper Edmund Burke(1729-1797), who was also from Cork area, or the Barry's homeland. Burke and his family have financially supported him to study abroad in the continent.
As for Barry's works the most important motif og him was the wounded Ireland under the Penal Laws. He tried to embody the Burke's notion of the sublime(the colonial or 'Celtic' sublime) into his canvas. However, his expression was after the classical manner, which Barry had learnd from his eager studies in the famous antiques in Italy, such as Belvedere Torso at the Vatican.
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