| Project/Area Number |
24720044
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
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| Project Period (FY) |
2012-04-01 – 2014-03-31
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2012: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | 美術史 / 18世紀 / フランス / 静物画 / 美術愛好家 / シャルダン / アート・コレクション / 展示 / 18世紀フランス |
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| Research Abstract |
This study examined French collectors' collections and picture arrangements in their picture rooms in the eighteenth century and to show the mutual influence between the mode of displaying still-life paintings and that of creating them. In the eighteenth century, pioneering collectors began to fervently collect French contemporary art, which is so-called patriotic taste. In their picture rooms, they usually displayed a pair of paintings symmetrically, and hung large paintings on the upper part and small paintings the lower part of the wall. This research clarified the relationship between still-life painters' choice of size, subject and style and collectors' taste and convention of picture arrangement.
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