A Study on the altarpieces of Carlo Crivelli: from the point of view about the art market and "converting as a tableau" in the modern period
| Project/Area Number |
24720045
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Ehime University (2013-2014)
Osaka University (2012) |
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Principal Investigator |
UEHARA Mai 愛媛大学, 教育学部, 講師 (90609463)
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| Project Period (FY) |
2012-04-01 – 2015-03-31
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| Project Status |
Completed (Fiscal Year 2014)
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| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2014: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2013: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2012: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | イタリア / 祭壇画 / カルロ・クリヴェッリ / 19世紀美術市場 / マルケ地方 / 19世紀美術品市場 / 美術史 / 国際情報交換 |
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| Outline of Final Research Achievements |
As a result of the research in the archives in Italy and the United Kingdom, I revealed how the altarpieces of Carlo Crivelli were found, cut apart and sold in the 19th century. This research presents a detailed image of the panels which were accepted as a single “tableau.” The documents in the Papal States also clarified the provenance of Crivelli’s altarpiece in Pinacoteca Vaticana: it was originally settled in San Gregorio Magno at Ascoli Piceno.
During the research in the private archive at Fabriano, I found a document by Camillo Ramelli, a noble intellectual in the 19th century. This paper shows the possibility of specifying “Madonna and Child”in the Walters Art Museum as a devotional panel made for Fabriano.
This study led to my next research theme to examine the proliferation of Crivelleschi in 15th century Marche Region.
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Report
(4 results)
Research Products
(3 results)
