| Project/Area Number |
25284025
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (B)
|
| Allocation Type | Partial Multi-year Fund |
|---|
| Section | 一般 |
|---|
| Research Field |
Aesthetics and studies on art
|
|---|
| Research Institution | Tokyo National University of Fine Arts and Music |
|---|
Principal Investigator |
OSUMI Kinya 東京藝術大学, 音楽学部, 教授 (90233113)
|
|---|
| Co-Investigator(Kenkyū-buntansha) |
花岡 千春 国立音楽大学, 音楽学部, 教授 (00282153)
塚原 康子 東京藝術大学, 音楽学部, 教授 (60202181)
片山 杜秀 慶應義塾大学, 法学部, 教授 (80528927)
|
|---|
| Co-Investigator(Renkei-kenkyūsha) |
TSUCHIDA EIZABURO 東京藝術大学, 音楽学部, 教授 (10143645)
HASHIMOTO KUMIKO 東京藝術大学, 音楽学部, 学術研究員 (70401495)
|
|---|
| Research Collaborator |
NOBUTOKI YUKO
ISHIDA SAKURAKO
OKOUCHI FUMIE
SAEGUSA MARI
SUDO MARINA
NAKATSUGAWA ARISA
NAKATSUJI MAHO
YOSHIDA GAKUSHI
|
|---|
| Project Period (FY) |
2013-04-01 – 2017-03-31
|
| Project Status |
Completed (Fiscal Year 2016)
|
| Budget Amount *help |
¥22,490,000 (Direct Cost: ¥17,300,000、Indirect Cost: ¥5,190,000)
Fiscal Year 2016: ¥4,160,000 (Direct Cost: ¥3,200,000、Indirect Cost: ¥960,000)
Fiscal Year 2015: ¥4,160,000 (Direct Cost: ¥3,200,000、Indirect Cost: ¥960,000)
Fiscal Year 2014: ¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2013: ¥10,140,000 (Direct Cost: ¥7,800,000、Indirect Cost: ¥2,340,000)
|
|---|
| Keywords | 信時潔 / 近代日本の作曲家 / 日本近代音楽史 / 東京音楽学校 / 自筆譜 / 音楽資料 / 資料目録 / データベース / 近代日本洋楽史 / 音楽学・音楽史 / 近代洋楽史 / 作品目録 / 資料研究 |
|---|
| Outline of Final Research Achievements |
Kiyoshi Nobutoki (1887-1965) is one of the first representatives of the Japanese composers who composed in a Western style. In order to establish a basis for further musicologial research on him, the following projects were conducted: 1) Information of all his works and their original sources were compiled; 2) Main sources of all the works were digitized; 3) All published scores and books formerly possessed by Nobutoki were catalogued; 4) All the data of Nobutoki's works broadcast by JOAK were compiled; 5) A multifaceted study of his "Variationen (Etenraku)" (1917) and cantata "Kaido-Tosei" (1940) was carried out; 6) Discourses about "Kokugaku (National Music)" in the late Meiji period were analyzed; 7) Some original sources related to his biography, which had been hitherto not examined, were investigated. The result of items 1) to 5) will be available on the website of the Library of the Tokyo University of the Arts, unless the contents are protected by copyright laws.
|
