| Project/Area Number |
25370101
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Tokyo Gakugei University |
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Principal Investigator |
Endo Toru 東京学芸大学, 教育学部, 教授 (10313280)
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| Co-Investigator(Renkei-kenkyūsha) |
YOSHIKAWA Aya 東京学芸大学, 教育学部, 准教授 (50436698)
MAESHIMA Miho 日本学術振興会, 特別研究員 (40436697)
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2015: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2014: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2013: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
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| Keywords | 楽律 / 中村惕斎 / 中根元圭 / 平均律 / 黄鐘 / 催馬楽 / 律呂新書 / 古楽 / 毛利壺邱 / 平岩元珍 / 橘南谿 / 音律 / 律原発揮 / 張介賓 / 類経附翼 / 律学 / 江戸時代 / 雅楽 / 十二律 / 近世 |
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| Outline of Final Research Achievements |
In this study, I considered the developement of the Japanese music theory study in the early modern times, through the analysis of the early modern music theory books which myself investigated and collected. The results of this study is as follows. Studies such as Nakamura Tekisai, Nakane Genkei and Ogyu Sorai having made basics, and Confucianism persons, persons of arithmetic, persons of gagaku, priests of the Buddhism and doctors who were interested in music theory, pushed forward the studies afterwards. The early modern Japanese music theory studies began for a search of the right pitch of Kosho which is the ancient Chinese standerd sound pitch, and was conducted for a diverse theme, such as a study of the historic change of the standard sound pitch, the calculation method of 12 equal temperaments, revival of the Saibara which is the ancient court songs of Japan, a study of the tune of koto and shamisen which were popular in the public, etc.
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