Brecht as director and dramaturge at the productions of his plays
| Project/Area Number |
25370104
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Osaka University |
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Principal Investigator |
Ichikawa Akira 大阪大学, 文学研究科, 名誉教授 (00151465)
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥4,810,000 (Direct Cost: ¥3,700,000、Indirect Cost: ¥1,110,000)
Fiscal Year 2015: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2014: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2013: ¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
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| Keywords | ブレヒト / ベルリーナー・アンサンブル / 演出家・ドラマトゥルク / チューリヒ劇場 / 叙事詩的演劇 / 上演モデルブック / 放送劇 / 異化効果 / 教育劇 / チャールズ・ロートン / クルト・ヴァイル |
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| Outline of Final Research Achievements |
As a director Brecht stands diametrically opposed to the concept of “Regietheater“ (director's theatre). In his view theatrical work is a collective work of specialists of different arts und therefore a “Gesamtkunstwerk”. Brecht is convinced that a play is only finished on stage and that therefore the text has to change permanently during the rehearsals. His work as director begins in 1922, and also features projects as film and radio director. His encounter with Erich Engel and Caspar Neher in the 1920s leads to a co-operation which lasts up until the performance of “Antigone” (1948) in Switzerland and the works in the Berliner Ensemble. In co-direction with both of them Brecht plays the role as dramaturge (literary director).
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Report
(4 results)
Research Products
(28 results)
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[Presentation] ブレヒトの俳優術・観劇術2015
Author(s)
市川明
Organizer
シアター・コミュニケーション・ラボ大阪
Place of Presentation
江之子島文化芸術創造センター
Year and Date
2015-02-26
Related Report
Invited
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