| Project/Area Number |
25370113
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Toho Gakuen School of Music |
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Principal Investigator |
NUMANO YUJI 桐朋学園大学, 音楽学部, 教授 (00322470)
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2015: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
Fiscal Year 2014: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | 録音 / 演奏様式 / アメリカ音楽 / テクノロジー / ピアノ / 演奏 / 演奏研究 / 録音技術 / レコード |
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| Outline of Final Research Achievements |
This research has treated the style of classical music performance in relation to the appearance of the 20th-century recording technology. As a result, we examined following 3 points. (1) Early recordings of classical music prompted "Clear and distinct" performance style. (2) Early recording technology also prompted quite different performance style from other musician. (3) Recording technology made minute difference clear, and gave way to the emergence of the critics mainly evaluate "performance style".
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