Basic Research into Tokiwazu-bushi Performer of the Edo-Showa era.
| Project/Area Number |
25370123
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Independent Administrative Institution National Institutes for Cultural Heritage Tokyo National Research Institute for Cultural Properties (2016)
ARIAKE College of Education and the Arts (2013-2015) |
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Principal Investigator |
MAEHARA MEGUMI 独立行政法人国立文化財機構東京文化財研究所, 無形文化遺産部, 主任研究員 (70398725)
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| Project Period (FY) |
2013-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥4,810,000 (Direct Cost: ¥3,700,000、Indirect Cost: ¥1,110,000)
Fiscal Year 2015: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2014: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2013: ¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
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| Keywords | 三味線音楽 / 常磐津節 / 江戸祭礼 / 吉原細見 / 豊後系浄瑠璃 / 神田祭礼 / 男芸者 / 祭礼 / 常磐津林中 |
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| Outline of Final Research Achievements |
(1)For the purpose of organizing and publicizing information regarding Tokiwazu-bushi performers of Edo to Showa era, I published an article with the reprint of a memo written by Machida Kasho, and published a report on Otoko-geisha's information seen in a roster of "Yoshiwara-saiken". This report is also available on website. (2)I published two articles focusing on the relation between Edo festivals and Tokiwazu-bushi performers. (3) In connection with the interview with Tokiwazu Eiju, I published an article based on the joruri-bon that Rinchu used on stage. (4) In addition, I gave a presentation on revival of the Tokiwazu-bushi piece, and I participated in a symposium about research methods using historical materials.
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Report
(5 results)
Research Products
(7 results)
