| Project/Area Number |
25370155
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Art at large
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| Research Institution | Hokkaido University |
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Principal Investigator |
YING Xiong 北海道大学, 大学院文学研究科, 教授 (50322772)
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥3,250,000 (Direct Cost: ¥2,500,000、Indirect Cost: ¥750,000)
Fiscal Year 2015: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2014: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2013: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | 映画と速度 / 第三の時間と映画 / 力能の生成変化 / 映画の仮構作用 / 速度 / 身体 / 肯定 |
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| Outline of Final Research Achievements |
This research focuses on three aspects concerning speed in cinema: speed as modern technique, speed of representation and speed of becoming. By closely reading books for reference, publishing essays and giving presentations, this research made examinations of the representations of speed in the films by Jean-Luc Godard, Jean Rouch, Orson Welles, Lou Ye and Wong Kar-Wai, aiming at a new view of speed and time in cinema. In addition, this research also investigated the representations of body and space which relate speed, in cinema.
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