| Project/Area Number |
25370170
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Art at large
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| Research Institution | University of the Ryukyus |
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Principal Investigator |
Yonaha Shoko 琉球大学, 学内共同利用施設等, その他 (30412860)
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| Research Collaborator |
NAKAHODO MASANORI 元琉球大学, 教授
KAWAMURA MINATO 法政大学, 教授
SUZUKI MASAE 京都産業大学, 教授
GIBO EIJIRO 元国立劇場, おきなわ常務理事
TERUKINA CHOICHI , 人間国宝
TAMAGUSUKU HIDEKO , 琉球舞踊玉城流家元
SHINJO WATARU , 琉球古典音楽研究家 Ph.D
NAKAMURA YOSHINOBU , 琉球古典音楽研究家/琉楽ボイストレイナー
TAKARA KAZUE , 琉球舞踊/舞踏家
ZUKEYAMA KAZUKO , 琉球舞踊家・紅型作家
HIGA IZUMI 沖縄県立芸術大学, 准教授
SHINJYO EITOKU , アーカイブ「流文21」主催
SERA YOSHIKAZU , 沖縄映画研究者 Ph.D
NAKAMINE ERINA 写真芸術学会, 会員
KANEKO RYUICHI , 写真史家
YOSHIDA TAEKO 「琉球歌劇保存会」, 副会長
NAKASONE RISTUKO 「劇団うない」, 団長
NAKAZATO MATSUKO 「劇団うない」, 幹部
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥4,810,000 (Direct Cost: ¥3,700,000、Indirect Cost: ¥1,110,000)
Fiscal Year 2015: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2014: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2013: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
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| Keywords | 沖縄の文化表象 / ジュリ (尾類・遊女） / 遊廓 / 沖縄芸能 / 沖縄文学 / ジェンダー＆セクシュアリティ / Hetaira（ヘタイラ） / 異文化接触 / ジュリ(尾類･遊女） / Ｈｅｔａｉｒｅ (ヘタイラ） / ジュリ（遊女） / 辻遊郭 / 琉球芸能 / ジェンダー / 芸妓 / ジュリ馬 / 琉歌 / 琉球美人 / 上間郁子 / 乙姫劇団 / 芸能者 |
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| Outline of Final Research Achievements |
This research has reviewed the cultural representation of Okinawan pleasure quarters and juri (courtesans/prostitutes) for 272 years from 1672 to 1944. Although this topic has never been discussed from the viewpoint of gender, this research will demonstrate that juri entertainments played a significant role, along with ritual performances and the court theatre, in the pre-modern Ryukyu kingdom. After Okinawa's annexation by Japan in 1879, juri's position became established as professional entertainers. Juri, who've been frequently represented in Ryu-ka (Ryukyu poems contain four lines of 8-8-8-6 syllables), Ryukyu dancing, Ryukyu opera, paintings, photographs, novels, and other forms of poetry from modern times to the contemporary era, are a symbol of an aesthetic sense unique to Okinawa. Although juri no longer exist because of the disappearance of pleasure quarters in 1945, they continue being the object of artistic representation.
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