| Project/Area Number |
25370177
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Art at large
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| Research Institution | Kogakuin University |
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Principal Investigator |
UMETSU NORIO 工学院大学, 教育推進機構, 講師 (20323462)
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| Project Period (FY) |
2013-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥2,860,000 (Direct Cost: ¥2,200,000、Indirect Cost: ¥660,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2015: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2014: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2013: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | ソ連 / 冷戦 / 音楽 / 文化交流 / 雪どけ / 古典 / 前衛 / ロシア / アメリカ / 芸術大国 / 教養主義 / 亡命 / 文化政策 / コンクール / 芸術 / スターリン / ジダーノフ / ショスタコーヴィチ |
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| Outline of Final Research Achievements |
At the height of the Cold War, the Eastern and Western camps were fighting furiously in the field of serious music. In the Soviet Union, the avant-garde of the West was condemned as decadent, the conservatism of the East, which was represented by the tonal music, had continued to be criticized as a symbol of the cultural control. However, after the Thaw period, the cultural exchange had began between both camps, while continuing confrontation. The confrontation was based on a common sense of values that respects the classical art.
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