Interaction of performance and drama in the postdramatic theater
| Project/Area Number |
25370373
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
European literature
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| Research Institution | Chuo University |
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Principal Investigator |
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥4,680,000 (Direct Cost: ¥3,600,000、Indirect Cost: ¥1,080,000)
Fiscal Year 2015: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2014: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2013: ¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
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| Keywords | ドイツ演劇 / ポストドラマ演劇 / 日独比較演劇 / ポストドラマ演劇(ドイツ） / パフォーマンス性(ドイツ） / 演劇上演史(ドイツ） / 国際研究者交流(ドイツ） / 国際情報交換(ドイツ） / 国際演劇交流(ドイツ） |
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| Outline of Final Research Achievements |
Through the analysis of theater databases (Berliner Theatertreffen, Theaterprizes in “Theater heute”), it is clearly proved that the theater history in post-war Germany can be divided into three ages, text-oriented age (dramatic theater) until 1960’s, performance-oriented age (postdramatic theater) until 1990’s, text- & performance-oriented age (new dramatic theater) since 2000. By co-research with the Theater Institute of the University of Munich, it became clear that since 2000 the German theater has been returning to the so-called "story"-oriented one, which must be combined with the established postdramatic theater.
Otherwise it became also clear that on comparing German and Japanese theater such viewpoints as "performativity of silence" and "body as Yorishiro(憑代) are useful in comparative theater studies.
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Report
(4 results)
Research Products
(4 results)
