| Project/Area Number |
25580035
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| Research Category |
Grant-in-Aid for Challenging Exploratory Research
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| Allocation Type | Multi-year Fund |
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| Research Field |
Fine art history
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| Research Institution | Gakushuin Women's College |
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Principal Investigator |
Imahashi Riko 学習院女子大学, 国際文化交流学部, 教授 (70266352)
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥3,120,000 (Direct Cost: ¥2,400,000、Indirect Cost: ¥720,000)
Fiscal Year 2015: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2014: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2013: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | 日本・東洋美術史 / 江戸時代絵画 / 近代美術 / 画題 / 図像と言説 / 花鳥画 / 美人画 |
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| Outline of Final Research Achievements |
I have been engaged in research into the relationship between Edo-period kachou-ga (bird-and-flower paintings) and natural history for many years. In recent years, my research has particularly focused on new related “subjects” that began to emerge in the eighteenth century. Over the course of such research, I noticed the following point. As a genre, kachou-ga is inextricably linked to “language.” Often, metaphors within kachou-ga are not directly linked to any current linguistic meaning or to any present-day cultural event. My latest study examines how the traditional bijin to shiro-oumu (beautiful woman and parrot ) subject, which straddles the kachou-ga and bijin-ga genres, was understood by post-eighteenth century artists and how their response to it led to the creation of “new styles.”
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