| Project/Area Number |
25760012
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Gender
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| Research Institution | Chiba University |
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Principal Investigator |
KIRA Tomoko 千葉大学, 大学院人文社会科学研究科, 人文社会科学研究科特別研究員 (40450796)
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| Project Period (FY) |
2013-04-01 – 2015-03-31
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| Project Status |
Completed (Fiscal Year 2014)
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| Budget Amount *help |
¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
Fiscal Year 2014: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2013: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | 人形 / ジェンダー / 美術 / 表象 / 女性 / 表現 / 手芸 / 工芸 / 近代 / 日本 |
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| Outline of Final Research Achievements |
This study examined the women who made dolls of modern Japan form the perspective
of gender. Especially, I paid my attention to the genderization of dolls, and I inspected the process of excluding women who made dolls from modern art and the relations between the making of dolls and their femininity. Primarily, I revealed that by the genderization of dolls, these were excluded from art. However, for re-genderization of dolls in the 1930’s a Sosaku-Ningyo(dolls made by doll artists) by male artists was included of art, on the other hand, a Furansu-Ningyo(dolls made from cloth) by women were not included from art. Second, I clarified that a furansu-ningyo certified the women who make it have femininity.
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