| Project/Area Number |
25770032
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
SUZUKI Atsushi 東京藝術大学, 大学院美術研究科, 講師 (90620873)
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| Research Collaborator |
YABUUCHI Satoshi
YAMADA Osamu
FUJIMAGARI Takaya
SHIRASAWA Yoji
KOJIMA Hisanori
LI Pini
MIYAKI Natsuki
ITANI Yuya
YAMADA Aki
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| Project Period (FY) |
2013-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥2,990,000 (Direct Cost: ¥2,300,000、Indirect Cost: ¥690,000)
Fiscal Year 2015: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2014: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2013: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
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| Keywords | 木彫技法 / 3Dデータ / 模刻 / 図面 / 古典彫刻技法 / 木造彫刻 / 3D計測 / 模刻実験 / 断面線 / 平安時代 / 群像彫刻 / 投影図 / 3D |
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| Outline of Final Research Achievements |
This research demonstrated a technique of multiple jointed wood sculpture after the middle of the 11th century in Japan, by reproducing Nenokami-zo and Ushinokami-zo of Twelve Heavenly Generals of Todaiji-temple, with a use of 3D laser scanner. As a result of projecting 3D data onto the both models, and a comparison of a reversed full-scaled model, the silhouette of the sculpture’s head outline were approximated. Furthermore, by a comparison of the sectional line for the joint surface configured the head, we can recognize that there is exact match between that.
In the precedent studies, we can see a suggestion of a use of drawing, and in this research, we found there is a highly probability of using not only a drawing of the silhouette of the sculpture’s outline, but also that of the sectional line for the joint surface.
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