Deducing 19th century performance practice from recordings
| Project/Area Number |
25770065
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Art at large
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| Research Institution | Fukuoka Prefectural University |
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Principal Investigator |
AKIKO Washino 福岡県立大学, 人間社会学部, 講師 (20625305)
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| Project Period (FY) |
2013-04-01 – 2015-03-31
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| Project Status |
Completed (Fiscal Year 2014)
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| Budget Amount *help |
¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2014: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | 演奏録音 / 19世紀の演奏様式 / 19世紀の演奏家 / ズレ / アルペジオ / ピアノ曲 / ブラームス / ルバート / 録音 / 演奏法 / 19世紀の音楽 / ブラームスの書法 / シューマンの書法 / ズレ（dislocation） / 音価 |
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| Outline of Final Research Achievements |
This project tests the correlation between early 20th century recordings and information derived from literature documents and music in order to elucidate the nature of 19th century performance practice.The performance style in relation to such aspects as arpeggiating chords and deviating from the melody with an accompaniment was linked to interpretations of the works of Brahms and Schumann.
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Report
(3 results)
Research Products
(5 results)
