| Project/Area Number |
25770066
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Art at large
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| Research Institution | Tama Art University |
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Principal Investigator |
Emura Tadahiko 多摩美術大学, 大学院美術研究科, 助手 (50648516)
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥2,340,000 (Direct Cost: ¥1,800,000、Indirect Cost: ¥540,000)
Fiscal Year 2015: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2014: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2013: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | 芸術表現 / 彫刻 / 乾漆 / 新海竹蔵 / 山本豊市 / 脱活乾漆 / 木心乾漆 |
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| Outline of Final Research Achievements |
In this research, I have been searching for new sculptural expression used by Kanshitsu technique which is a traditional way of creating statues, from a contemporary viewpoint of pursuing the possibility of various three dimensional expressions. In order to confirm Kanshitsu expressions of modern sculpture in Japan, I conducted an onsite survey of sculptures by Takezou Shinkai and Toyoichi Yamamoto. I found the feature that the sculptors had modeled using Sabi-urushi (Urushi paste mixed with muddy polishing powder; this is usually used for the foundation of Urushi bowls) and had connected the material to sculptural expression at the completed stage. I discovered that they use Urushi as the statue’s body itself, not as a surface decoration. As a result, in my practical study, I could suggest a unique sculptural expression by using Kanshitsu with the ambivalent disposition of massiveness and light, something which has not been used in past sculptural expression.
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