Women's Positions in Cinematic Representations of the Meiji Restoration
| Project/Area Number |
25770068
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Art at large
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| Research Institution | Niigata University (2016)
Waseda University (2013-2015) |
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Principal Investigator |
Hatori Takafusa 新潟大学, 人文社会・教育科学系, 助教 (70636026)
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| Project Period (FY) |
2013-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥3,120,000 (Direct Cost: ¥2,400,000、Indirect Cost: ¥720,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2015: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2014: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2013: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | 映画 / 幕末 / 明治維新 / 女性 / 日本映画 / 女性表象 / 被占領期 / 山口淑子 / 植木金矢 / 新国劇 / 剣劇 / 女剣劇 / 表象 |
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| Outline of Final Research Achievements |
The principal achievements of this four-year research project are as follows. First, under the supervision of Dr. Kodama Ryuichi, The World of Shinkokugeki and Sword Fight Drama was published in 2014. Second, The Popular Imagination of Japanese Cinema, the updated version of my doctoral dissertation, was published in 2016. Third, my article on Li Xianglan/Yamaguchi Yoshiko as one chapter of Gender/Ethnicity of Cinema has been completed.
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Report
(5 results)
Research Products
(10 results)
