Orientation towards alternative media in Kracauer's and Adorno's thoughts on image media
| Project/Area Number |
25870152
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
European literature
Art at large
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| Research Institution | The University of Tokyo |
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Principal Investigator |
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥2,990,000 (Direct Cost: ¥2,300,000、Indirect Cost: ¥690,000)
Fiscal Year 2015: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2014: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2013: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | 批判理論 / メディア / プロパガンダ / フランクフルト学派 / 知覚 / テクノロジー / アドルノ / クラカウアー / 表象文化論 / モンタージュ / 映画 / 近代 / 映像 |
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| Outline of Final Research Achievements |
The results of my research can be summarized as follows: 1) In the essays about fascist propaganda, Kracauer and Adorno implicitly used “mimicry” and “performativity” as writing strategies. 2) The concept of “montage” by Adorno shared the motif of “temporal imbrications” with “realism” by Kracauer. 3) There was a consistent understanding of technological media as “medium of perception” in the thoughts of Frankfurt School theorists from Benjamin, Kracauer, and Adorno to Kluge.
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Report
(4 results)
Research Products
(12 results)
