| Project/Area Number |
25870929
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Chinese literature
History of Asia and Africa
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| Research Institution | Kansai University |
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Principal Investigator |
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| Project Period (FY) |
2013-02-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥2,990,000 (Direct Cost: ¥2,300,000、Indirect Cost: ¥690,000)
Fiscal Year 2016: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2015: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2014: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2013: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | 幻灯 / 上海YMCA / 観劇文化 / 映画観賞 / 映画館 / 映画統制 / 説明書 / ナショナリズム / 映画説明 / 上海ＹＭＣＡ / 国民形成 / 観賞マナー / 大衆エリート / 識字率 / 映画観客 / 非商業上映 / ヘテロトピア / 何挺然 / 外国籍映画会社 / 江蘇省教育会 / 視覚メディア教育 / 上海Y.M.C.A. / 映画伝来 / 茶園 / 外国籍会社 / 危険大歓迎 / 映画検閲 |
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| Outline of Final Research Achievements |
This study explores the transition of the various uses of cinema in Shanghai. Targeting the period from the late nineteenth century to the mid-forties in the twentieth century, this study mainly focuses on the transition in terms of the movie-exhibition environment and movie-going culture. This study concludes that the transition was primarily driven by non-theatrical cinema exhibitions arranged by educational organizations such as the Shanghai YMCA, which was associated with the modernization of the novel and drama, and was joined by several capitalist-nationalist film company owners, film makers, and journalists.
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