| Project/Area Number |
25884014
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| Research Category |
Grant-in-Aid for Research Activity Start-up
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| Allocation Type | Single-year Grants |
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| Research Field |
Art at large
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| Research Institution | The University of Tokyo |
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Principal Investigator |
IDO Misato 東京大学, 東洋文化研究所, 特任助教 (90704510)
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| Project Period (FY) |
2013-08-30 – 2015-03-31
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| Project Status |
Completed (Fiscal Year 2014)
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| Budget Amount *help |
¥2,990,000 (Direct Cost: ¥2,300,000、Indirect Cost: ¥690,000)
Fiscal Year 2014: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2013: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
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| Keywords | 屏風 / 美術 / 儀礼 / 受容 / 芸能 / 歴史画 / 物語絵画 / 東アジア / 絵画 / 図像 / イメージ |
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| Outline of Final Research Achievements |
The late Muromachi period to the early Edo period produced many screen paintings. Given that folding screens are composed and mounted for temporary display, and are architectural structures that divide and ornament space, in this research project, I tried to shed light on the spaces where these paintings were appreciated by re-placing these works, where possible, into their original contexts. This research covered the narrative paintings in the early 17th century, the appreciation and transformation of the “farming and weaving” scenes within the East Asian context, and Japanese-style paintings in the late 19th century.
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