Research on the emergence of a medium-perception mechanism in a relative-motion drawing robot
Project/Area Number |
26284035
|
Research Category |
Grant-in-Aid for Scientific Research (B)
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Allocation Type | Partial Multi-year Fund |
Section | 一般 |
Research Field |
Art at large
|
Research Institution | Musashino Art University |
Principal Investigator |
|
Co-Investigator(Kenkyū-buntansha) |
辻田 勝吉 大阪工業大学, 工学部, 准教授 (20252603)
後安 美紀 大阪市立大学, 法学(政治学)研究科(研究院), 研究員 (70337616)
|
Research Collaborator |
NAKAI Yu
|
Project Period (FY) |
2014-04-01 – 2017-03-31
|
Project Status |
Completed (Fiscal Year 2016)
|
Budget Amount *help |
¥14,820,000 (Direct Cost: ¥11,400,000、Indirect Cost: ¥3,420,000)
Fiscal Year 2016: ¥3,380,000 (Direct Cost: ¥2,600,000、Indirect Cost: ¥780,000)
Fiscal Year 2015: ¥5,330,000 (Direct Cost: ¥4,100,000、Indirect Cost: ¥1,230,000)
Fiscal Year 2014: ¥6,110,000 (Direct Cost: ¥4,700,000、Indirect Cost: ¥1,410,000)
|
Keywords | 芸術学 / 表象文化論 / 身体表現 / 技能伝達 / 美術史 / 真贋判定 / 技術論 / 相対運動 / 描画ロボット |
Outline of Final Research Achievements |
In this study, the medium was not a simple means, but opposed to the human will and caught as competing autonomous presence = resistance. We think that acting with this resistance is to promote the creation of human spirit and to grow technology. We regarded the supporting body (painting material, screen) itself as a medium of painting as an autonomous system that opposes and moves equally to the drawers. Then, using the "Relative Motion Drawing Robot" we developed for this purpose, the expansion principle of the drawing subject and the principle of expressing plasticity were clarified.
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Report
(4 results)
Research Products
(15 results)