| Project/Area Number |
26284046
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Partial Multi-year Fund |
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| Section | 一般 |
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| Research Field |
European literature
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| Research Institution | Tokyo University of Foreign Studies |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
西岡 あかね (秋元あかね / 西岡 あかね(秋元あかね)) 東京外国語大学, 大学院総合国際学研究院, 准教授 (30552335)
和田 忠彦 東京外国語大学, 大学院総合国際学研究院, 教授 (50158698)
松浦 寿夫 東京外国語大学, 大学院総合国際学研究院, 教授 (60219384)
沼野 恭子 東京外国語大学, 大学院総合国際学研究院, 教授 (60536142)
前田 和泉 東京外国語大学, 大学院総合国際学研究院, 准教授 (70556216)
吉本 秀之 東京外国語大学, 大学院総合国際学研究院, 教授 (90202407)
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| Research Collaborator |
KUWANO Takashi 早稲田大学, 教育・総合科学学術院, 教授 (90143677)
KAGAWA Mayumi 武蔵大学, 人文学部, 教授 (10386352)
KUWADA Kohei 東京大学, 大学院総合文化研究科, 准教授 (80570639)
DOI Hideyuki 立命館大学, 文学部, 准教授 (40334271)
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| Project Period (FY) |
2014-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥15,730,000 (Direct Cost: ¥12,100,000、Indirect Cost: ¥3,630,000)
Fiscal Year 2016: ¥5,720,000 (Direct Cost: ¥4,400,000、Indirect Cost: ¥1,320,000)
Fiscal Year 2015: ¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2014: ¥5,460,000 (Direct Cost: ¥4,200,000、Indirect Cost: ¥1,260,000)
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| Keywords | 知覚論 / 表象文化論 / アヴァンギャルド / 芸術 / 文学 / 技術性 / 身体性 / 知覚 / 技術 / パラダイム転換 / 技術論 / アヴァンギャルド芸術 |
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| Outline of Final Research Achievements |
The various European avant-garde movements of the early 20th century exhibited two contrasting aspects: while they differed from one another in each’s having distinctive features that reflected the differing cultures of specific regions, they also appear as parallel, transnational, and transcultural phenomena that happened to develop during the same period and in similar directions. Our research has focused on trying to understand how these avant-garde movements reflect, in their respective ways, paradigm changes in perception arising from the development of technologies in various media. Through symposiums, workshops, and individual research efforts, we have examined how the avant-garde movements of different regions showed, in their respective ways, such common features as fragmentation, abstraction, and the combining of the technological and the corporeal―and how these features related to one another.
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