| Project/Area Number |
26370080
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
History of thought
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| Research Institution | Kyoto University of Education |
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Principal Investigator |
Ogino Takeshi 京都教育大学, 教育学部, 教授 (50293981)
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| Project Period (FY) |
2014-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2016: ¥130,000 (Direct Cost: ¥100,000、Indirect Cost: ¥30,000)
Fiscal Year 2015: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2014: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | クラカウアー / メディア理論 / ヴァールブルク学派 / 映画理論 / ヴァールブルク / アドルノ / オッフェンバック |
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| Outline of Final Research Achievements |
This study aims to elucidate the significance of Siegfried Kracauer’s philosophy in the history of western thought. To attain this purpose this study shows that from the mid-1920s to his death Kracauer was consistently moved by one single motive, that is the criticism of the ratio and the longing for escaping from its regime, that his thought had a deep affinity with the view of the famous art historian Aby Warburg and therefore he could draw up the common battle line against the Nazi propaganda strategy with the Warburg School during the World War Ⅱ, that his theory of film has many points of resembalance to the philosophy of cinema of Gill Deleuze in Cinema1 and Cinema 2, so that Kracauer’s film philosophy has the great importance for the film theory today.
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