| Project/Area Number |
26370097
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Osaka University of Arts (2015-2016)
Kobe University (2014) |
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Principal Investigator |
NAGANO Junko 大阪芸術大学, 芸術学部, 教授 (20172546)
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| Project Period (FY) |
2014-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥3,640,000 (Direct Cost: ¥2,800,000、Indirect Cost: ¥840,000)
Fiscal Year 2016: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2015: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2014: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | セルフポートレート / シュルレアリスム / フランス前衛劇 / 仮面／人形 / カーニヴァル空間 / 演劇の再演劇化 / 文化の編み合わせ / 仮面 / 人形 / 仮面劇 / 人形劇 / 舞踊とエキゾティスム |
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| Outline of Final Research Achievements |
Since re-discovered in the 1980s, Claude Cahun (the pseudonym of Lucy Schwob, 1894-1954) has been recognized as one of the surrealist photographers. Her reputation is mainly based on her striking self-portraits, which are characterized by travesty or cross-dressing and her distorted or mirror images as well. We intended to reconsider Cahun's multiple works in the aspect of theatricality, focusing on her short-term engagement in Parisian avant-garde theatres.
Through this research-program, we tried to bring to light Cahun's activities on the stage and make clear the relationship between the old mask or marionette applied to the avant-garde theatre and the manner of staging or mis-en-scène in her self-portraits and writings. Within her 'charnel et verbal' masquerade, one can see an unique form of 'le Carnaval perpetuel'.
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