| Project/Area Number |
26370120
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Multi-year Fund |
|---|
| Section | 一般 |
|---|
| Research Field |
Aesthetics and studies on art
|
|---|
| Research Institution | Kyoto University of Art and Design |
|---|
Principal Investigator |
UEMURA Hiroshi 京都造形芸術大学, 芸術学部, 教授 (20232796)
|
|---|
| Project Period (FY) |
2014-04-01 – 2018-03-31
|
| Project Status |
Completed (Fiscal Year 2017)
|
| Budget Amount *help |
¥2,600,000 (Direct Cost: ¥2,000,000、Indirect Cost: ¥600,000)
Fiscal Year 2017: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2015: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2014: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
|
|---|
| Keywords | 地方色 / 美術館 / 場所性 / 郷愁 / アイデンティティ / モダニズム / 土地 / 旅行 / ノスタルジー / 国民国家 / 身体性 / 地域性 / 故郷 / ノスタルジア / 観光 / スイス / 自然 / 健康 / カトルメール・ド・カンシ / 感性 / 19世紀 / フランス / 文化財 / 風景 |
|---|
| Outline of Final Research Achievements |
This research verified the importance of place in the production and reception of artwork in nineteenth-century France. As autonomous institutions of art, like museum galleries, were established, the identification of a work of art with its native place persisted. Further, the Romantic idea that attributes one's identity to his or her local or national origin expanded. Modern urban inhabitants’ sense of alienation compelled them to pursue an authentic life in the experience of a particular place, both through tourism and artistic expression.
|
