Artistic Brotherhoods in Nineteenth-century England: From the Ancients to the Etruscans
| Project/Area Number |
26370124
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Fine art history
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| Research Institution | University of Tsukuba |
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Principal Investigator |
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| Project Period (FY) |
2014-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥4,940,000 (Direct Cost: ¥3,800,000、Indirect Cost: ¥1,140,000)
Fiscal Year 2016: ¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
Fiscal Year 2015: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2014: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
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| Keywords | ラファエル前派兄弟団 / 古代人たち / エトラスカンズ / 恊働的実践 / 兄弟団 / 中世主義 / プリミティヴィズム / 唯美主義 / D. G. ロセッティ / サミュエル・パーマー / ウィリアム・ブレイク / ローマ / ジョヴァンニ・コスタ / フレデリック・レイトン / ジョージ・ヘミング・メイソン / 風景画 / ジョン・ロックウッド・キプリング / テクノロジー / 国際情報交換 / イギリス：アメリカ合衆国 |
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| Outline of Final Research Achievements |
The birth of the artistic brotherhood in the nineteenth-century Europe can be seen as a response to the social and political crises of the age and a challenge to the Academies. This research focuses on three English brotherhoods, the Ancients in the 1820-30s, the Pre-Raphaelite Brotherhood formed in 1848, and the Etruscans in the 1860-80s. They shared the utopian ideal of the brotherhood which was also marked by contradiction. They produced what they called 'primitive-style' works which were reactionary, both in their artistic expression and in their social vision. The three groups linked each other and its link disclosed a new possibility for reconsidering English art history.
I invited J.B. Bullen, Professor Emeritus at the University of Reading, and held his lectures relating to the topic of this research.
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Report
(5 results)
Research Products
(12 results)
