| Project/Area Number |
26370159
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Multi-year Fund |
|---|
| Section | 一般 |
|---|
| Research Field |
Art at large
|
|---|
| Research Institution | Tokyo National University of Fine Arts and Music |
|---|
Principal Investigator |
|
|---|
| Co-Investigator(Kenkyū-buntansha) |
亀川 徹 東京藝術大学, 音楽学部, 教授 (70359686)
松原 隆一郎 東京大学, 大学院総合文化研究科, 教授 (90181750)
|
|---|
| Research Collaborator |
MORIYAMA Takeo
|
|---|
| Project Period (FY) |
2014-04-01 – 2017-03-31
|
| Project Status |
Completed (Fiscal Year 2016)
|
| Budget Amount *help |
¥3,770,000 (Direct Cost: ¥2,900,000、Indirect Cost: ¥870,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2015: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2014: ¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
|
|---|
| Keywords | 初期山下洋輔トリオ / 森山威男 / 間 / フリースタイル・ドラミング / フリージャズ / 山下洋輔トリオ / ドラミング / アイコンタクト / スイング / フリーフォーム |
|---|
| Outline of Final Research Achievements |
We have recorded and analyzed Takeo Moriyama’s technique of freestyle drum play, which enabled early Yosuke Yamashita trio to swing and win the sensation and remarkable evaluation at their European tour in 1974.The main reason why their play swung in spite of the freestyle was that they repeated playing with fixed members and share the sense of appropriate timing without beat or musical scores. To demonstrate it, we recorded two duos, Moriyama/Yamashita and Moriyama/Sakata.We are looking forward to publishing this achievement from Yamaha Music Entertainment Holdings this year.
|
