| Budget Amount *help |
¥4,420,000 (Direct Cost: ¥3,400,000、Indirect Cost: ¥1,020,000)
Fiscal Year 2016: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2015: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2014: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
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| Outline of Final Research Achievements |
The protagonist in Modern Japanese Literature can be divided into two categories; the story-type protagonist who transitions from one state to another, and the novel-type protagonist who ruminates on certain matters. In Meiji Japan, male ntellectuals had only recently come to discover women as a biologically similar but separate variety of human being. They regarded females as a sort of mystical entity due to the fact that, according to the manners and education of the time, women neither spoke, acted, nor expressed any emotion beyond what was required of them.
Lacking an actual sense of their own existence, Soseki’s protagonists seek the sole affirmation of their being from the woman who loves them. However, as women are to them essentially a mystery, they suffer only anguish in their quest for love. This is the typical hero of Soseki’s fiction and it is for this reason that his protagonists emerge as the original model for the modern intellectual.
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