Research on Project Arts in contemporary France
| Project/Area Number |
26370354
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Multi-year Fund |
|---|
| Section | 一般 |
|---|
| Research Field |
European literature
|
|---|
| Research Institution | Kyoto University |
|---|
Principal Investigator |
|
|---|
| Project Period (FY) |
2014-04-01 – 2017-03-31
|
| Project Status |
Completed (Fiscal Year 2016)
|
| Budget Amount *help |
¥2,730,000 (Direct Cost: ¥2,100,000、Indirect Cost: ¥630,000)
Fiscal Year 2016: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2015: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2014: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
|
|---|
| Keywords | プロジェクト / 実存的制約 / ペレック / 日常 / 発見術 / ルポルタージュ / 暴力 / 破局 / コンセプチュアル・アート / 失敗 |
|---|
| Outline of Final Research Achievements |
What has become clear from the analysis of reportage by contemporary writers such as Maspero, Cortasar and others suggests that the significance of the project appears, not when the plan succeeded without fail, but when the rule set by himself failed. Also, by reviewing Perec's writings, a modern person, bound by speed and utilitarianism and unable to connect intimately with everyday life, has a playful approach including existential constraints (constraints that bind the behavior of the subject), to improve concretely the living life that was automated.
|
Report
(4 results)
Research Products
(14 results)
