Sociological Research on the Aesthetics and the Theatricality of Concerts in Modern Europe
| Project/Area Number |
26380721
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Sociology
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| Research Institution | Ritsumeikan University |
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Principal Investigator |
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| Project Period (FY) |
2014-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2016: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2015: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2014: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | コンサート / 劇場性 / 正典 / 音楽社会学 / 文化社会学 / 自律美学 |
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| Outline of Final Research Achievements |
This research explores the process of concerts in modern Europe. Before symphony concerts adopted the form they have today, concerts generally needed the help of vocal programmes in the form of excerpts from popular operas for commercial purposes, and the concept of the “classical” was introduced into the world of music when instrumental music began to become an independent art form. We can realise the reconciliation between the aesthetics of instrumental music and the market principle; namely, the processes involving the close relationship between instrumental music and theatre (opera houses), intellectual criticism, and the publication of popular operatic music and songs. This project clarifies the mechanisms in the world of European music.
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Report
(4 results)
Research Products
(10 results)
