| Project/Area Number |
26580023
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| Research Category |
Grant-in-Aid for Challenging Exploratory Research
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| Allocation Type | Multi-year Fund |
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| Research Field |
Fine art history
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| Research Institution | University of Tsukuba |
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Principal Investigator |
KANNO Chiaki 筑波大学, 芸術系, 教授 (90272088)
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| Co-Investigator(Kenkyū-buntansha) |
増田 知之 安田女子大学, 文学部, 講師 (60559649)
猿渡 康文 筑波大学, ビジネスサイエンス系, 教授 (00292524)
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| Research Collaborator |
SHIMODA Shohei
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| Project Period (FY) |
2014-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2016: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2015: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2014: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | 美術史 / 収蔵 / 社会的ネットワーク分析 / 社会ネットワーク分析 |
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| Outline of Final Research Achievements |
This study examines factors that made Japan a major collection center of Chinese calligraphy in modern times, by focusing on the process and characteristics of a structured network of collectors both in Japan and in China. Fieldwork was first conducted to identify representative collections of calligraphy assembled in Japan and to trace the collections’ history, and then to investigate interactions among major collectors. After that, the collectors’ network was analyzed by employing social network analysis based on graph theory. The background of the rapid assembly of collections by way of this network was also analyzed.
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