| Project/Area Number |
26770044
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Osaka University |
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Principal Investigator |
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| Research Collaborator |
VAN EIKELS Kai
MENKE Christoph
ISHIDA Keiko
EBINE Takeshi
KAJIWARA Masashi
KAKIGI Nobuyuki
INOUE Yuriko
TSUCHIDA Kosuke
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| Project Period (FY) |
2014-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥3,250,000 (Direct Cost: ¥2,500,000、Indirect Cost: ¥750,000)
Fiscal Year 2017: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2016: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2015: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2014: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | 観客 / 民主主義 / 参加 / 参加型芸術 / テアトロクラシー / デモクラシー / 芸術と政治 / プラトン / 芸術の美的体制 / 美的国家 / デカダンス / 叙事演劇 / 美学 / テアトロクラティア / 国際研究者交流 |
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| Outline of Final Research Achievements |
In this project, I investigated the history of the term "theatrocracy," that was coined by Plato to criticize "the rule by spectators" in musical and dance performances. The term was inherited by modern thinkers, for example Rousseau, Nietzsche, Benjamin and Rancire, explicitly or implicitly, in their arguments on the relationship between art and democracy. My conclusion is that the meaning of the concept depends on the rise and crisis of the democracy in Europe. I also point out the consistently ambivalent attitude of thinkers towards "mass" audience.
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