| Project/Area Number |
26870359
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Fine art history
Design science
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| Research Institution | Kobe University |
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Principal Investigator |
Asakura Mie 神戸大学, 国際文化学研究科, 准教授 (90508714)
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| Project Period (FY) |
2014-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥3,380,000 (Direct Cost: ¥2,600,000、Indirect Cost: ¥780,000)
Fiscal Year 2016: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2015: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2014: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | 近代デザイン運動 / ポール・ポワレ / パリ・モード / 装飾芸術 / アール・デコ / ウィーン工房 / エコール・マルティ―ヌ / デザイン教育 / ジャン・デュナン / サロン・ドートンヌ / ラウル・デュフィ |
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| Outline of Final Research Achievements |
Paul Poiret, the couturier who played an active part in Paris in the early 20th century, developed the wide design activities which reach not only clothes but also living space. I clarified his considerable influence on the French design movement of the same period, and showed a new image of Poiret, no merely "fashion designer". In addition, I paid attention to the fashion works done by a lacquer artist Jean Dunand and two painters Raoul Dufy, Tsuguharu Foujita, and I pointed out the diversity and profundity of Paris Fashion in the early twentieth century, which allowed crossing the border among the different genres.
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